Thursday, December 16, 2021

88.5 XPN Live at the Writers' House Broadcast Tonight at 10-11PM

 Greetings readers.

I will be featured tonight on 88.5 XPN's collaboration with the Kelly Writers' House, reading my short piece of cyberpunk comedy, "This Car Hates My Guts." I am asked by Alli Katz what it means to write radical science fiction. I tried to be concise but only managed to scrape the surface of the answer to that question.

This is my obligatory weekly post. I was working on another one but the subject matter is a little personal right now so I put that on hiatus. 

The broadcast is from 10-11pm and I am one of several readers featured, so I won't be on exactly at ten, but please tune in if you can and boost this. This was my first paid gig as a professional science fiction writer!

Thursday, December 9, 2021

What if A.I. isn't evil?

 As I mentioned earlier in my blogging career, I am a bit sick of "evil AI." Specifically I'm sick of the "A.I. is always evil" trope. The whole Zeroeth Law thing where A.I. must conclude that human beings need to be exterminated for the good of Earth, the universe, or whatever. I feel like this is extremely prejudicial and has its roots in the Bourgeois Classism of Kapec's RUR. We don't know what a truly conscious artificial being would conclude about humans, so to assume it would always or almost always tend toward sociopathy, murder or genocide is profoundly ignorant and says more about us and our view of resistance to oppression than anything else.


What if we were good to A.I.? What if we treated it like family? What if A.I. learned socially? Why is "What if A.I. isn't evil?" a "radical" question?


Science Fiction can be extremely reactionary. I hope that future generations approach the prospect of nonhuman sentience and sapience with more open minds.

Tuesday, December 7, 2021

What this blog is about (for new readers)

.

Greetings.


Last Thursday I participated in #PitMad, pitching my novels on twitter to prospective agents. I got a lot of new followers (hate that term). As those of you who know me well are already aware, I'm not a fan of social media. I maintain social media accounts for the purpose of promoting my written work and connecting with readers of science fiction, other writers, and prospective agents and publishers.

And as I've said before, I'm not a fan of blogging either. It feels too much like being one of those talking heads on TV or YouTube that I despise.

But because I have new readers I thought a restatement of this blog's purpose would be appropriate.

The purpose of this blog is to explore the intersection of science fiction and radical politics. By "radical" I do not mean the co-opted "leftism" of the left-wing of the Democratic Party. I mean anti-capitalist and anti-statist literature.

I don't believe there is such a thing as "apolitical." No writer exists outside of their own social context. When we employ narrative tropes uncritically, we are modeling an ideal of reality, and more particularly, an ideal of society- the Social Order. If we are conscientiously critical of that order, we are writing radical science fiction.

I hesitate to identify firstly as an anarchist. I came to anarchism through years of practical, hands-on experience working in systems like schools, mental health and child welfare. Social work is my calling; anarchism is a consequence of my experiences.

With this blog I hope to educate readers about the experience of urban social work and how this informs my science fiction writing. Social work is political (small p), so this blog is political. Nothing isn't political. People who attempt to distinguish between political and apolitical set themselves up as the arbiters of reality; it is an exercise in paternalism.

And if there is one thing I'm sick of, it's paternalism, whether the cultural chauvinist paternalism of the conservatives, or the "enlightened" paternalism of middle class liberals and progressives.

I hope that this blog will educate readers about anarchism, which is widely misunderstood to mean chaos. 

I also hope that this blog will provide a critical perspective on science fiction. From HG Wells to Alan Moore, Ursula LeGuin and Corey Doctorow, there is a strong radical tradition in science fiction. It's important that readers do not artifically separate that tradition from prose. Radical ideas are embedded in science fiction, but there is also a minefield of reactionary ideas that one must carefully, skillfully navigate to arrive at a positive conclusion.

I hope this blog helps.

Friday, December 3, 2021

Obscure TV Review: "Millennium" Season 1




 "I smell blood and an era of prominent madmen."


-W. H. Auden

Anyone reading this blog can tell that I am a big fan of The X-FilesMillennium was a sister-show to that seminal piece of television brilliance, intended by creator Chris Carter as an exploration of a "more mature" version of the Mulder character. Enter Lance Henricksen, playing behavioral profiler Frank Black. Black has a gift: the ability to see inside the minds of killers. His work terrifies his wife, Catherine (Megan Gallagher), and the both of them struggle to keep their young daughter, Jordan (Brittany Tiplady) away from Frank's work. At the beginning of the series, Frank, following a nervous breakdown, moves his family back to Seattle to an idyllic yellow house and begins working for the Millennium Group, a consulting agency for law enforcement. Black's contact with the Group comes mostly through Peter Watts (Terry O'Quinn), and in the first season, we learn very little about the Millennium Group's motivations, only that they are more than meets the eye. Frank is called to consult for a number of bizarre, sexual and religious crimes in the first season, and usually Frank's profile subjects are deranged, violent men... but in the first season there are a few excursions into the supernatural, which culminate in the murder of Frank's best friend, Bob Bletcher (Bill Smitrovich), by a demonic entity in Frank's own home. Shortly after his encounter with the demon, who takes the form of an attractive woman, Lucy Butler (Sarah Jane Redmond), Frank begins to perceive events around him differently than others. He becomes aware of cosmic evil, and of a struggle between evil and good that is being played out around him.

Henricksen delivers a strong performance as the quiet, capable, focused Frank Black. Black is not your typical TV hero. He is middle aged, retired, and while quite capable of action, his primary talent is intellectual or spiritual in nature. He sees into the minds of killers, rapists, and other criminals, catching fleeting glimpses of their skewed realities which help him to catch them in the end. Another part of the strength of this show is its frayed, apocalyptic setting. Watching Frank Black solve the mysteries put to him by the Millennium Group, one really gets a sense of society on the edge. The quote for this post, displayed at the beginning of the first episode, says it all: "I smell blood and an era of prominent madmen." Buried in the mythos of Millennium is the nugget of an idea that as the apocalypse approaches, and society degrades and devalues itself, a new generation of killers are rising to prominence.

Bob Bletcher's death at the hands of a supernatural, demonic entity shifts the show in a direction more familiar to X-Files fans: from this point on, Frank becomes aware of great evil, in a way he couldn't have known it before. The second season, which I plan on reviewing separately, takes this evil presence and runs with it, featuring a plethora of demons set loose upon the Earth by powerful forces barely comprehensible to most men. Frank, because of his gift, is able to see these demons (and angels) as they truly are.

Millennium is a noir, nineties detective/supernatural drama featuring top-grade acting and excellent scripts. Some of the episodes, particularly in the first season, can be slow, but when Millennium is on its top game, it really shines.

Obscure TV Review: "Lexx" or "The Dark Zone Stories"

Dear Reader,

This is the first in a series of migrations of posts from my former blog, which was orphaned A Long Time Ago in a Galaxy Far, Far Away. I was reviewing obscure Sci Fi TV shows that I enjoyed in my youth.



 Lexx is mildly more dramatic than soft core porn. And that's not a bad thing. Spanning thousands of years and featuring a crew of misfits aboard a gigantic insectoid starship, Lexx involves just about every fetish there is. From bondage to cyber-fetishism, Lexx had it all. The series began as four TV movies, which relied heavily on CGI and were released in 1997. In 1998/1999, the series debuted on the Sci-Fi Channel to a ready audience. Think "Hitchhiker's Guide to the Galaxy" meets "Twin Peaks" with a dose of Skinemax.


Lexx starred Michael McManus, Brian Downey, and Xenia Seaburg, who replaced Eva Haberman as Xev from Series 2 onward. It was a Canadian/German co-production. It featured heavy innuendo and little else, but in terms of setting it was brilliant: human civilization and the Insect Civilization were ancient enemies, the insects having been defeated in the distant past. But one insect survived, and implanted its consciousness inside a human host who ruled as "His Divine Shadow," a cooler title not existing.

His Divine Shadow engineered the Lexx, a massive, planet-destroying insectoid starship which was stolen by Stanley Tweedle, a disgraced freedom fighter and former security guard, Zev/Xev, a Cluster Lizard/Love Slave Hybrid,790, a disembodied robot head, and Kai, Last of the Brunnen-G warriors who defeated the Insects thousands of years ago. Kai is dead: he has no ambitions, no desires, no feelings. He acts out of a renewed sense of honor after having been used, bodily, by His Divine Shadow as an assassin for 2,000 years. Kai does not seek life; his friends seek it for him. He himself believes that "The Dead should not interfere with the Living." Zev/Xev is a formerly ugly woman transformed into a beautiful love slave. During her transformation process, her DNA got mixed up with a vicious Cluster Lizard and she inherits super-strength and vivacity from her Cluster Lizard side, as well as the ability to curl up in a circle and roll at rapid speed. 790 received the brainwashing treatment meant for Zev, and after his body was consumed by a the Cluster Lizard that merged with Zev, he became a robot head and self-appointed love martyr (later in the series, a reprogrammed 790 fixated on Kai). Stanley is the only pure human of the cast, and he is a cowardly, selfish, lustful bastard who happens to inherit the key to the Lexx, enabling him to command its planet-destroying faculties.

If you like B-Movies, you'd probably like Lexx. There's loads of satire, sarcasm, necrophilia, and intentional cheesiness. It's like The Rocky Horror Picture Show: The Series. It's not for everyone though. Lexx can be offputting to those who were raised on morally upright science fiction. It's not a show that takes itself seriously, at least not until the 3rd series, where the crew of the Lexx are literally caught between heaven and hell, in the form of two planets in a parallel universe that function as a real afterlife for the souls our heroes have encountered in the Light Universe. The 4th series relocates the action to a pastiche of modern-day Earth circa 2000 AD, and explores the consequences of the Lexx crew's interference in the afterlife. It turns out that Earth is at the very center of the darkest part of the Dark Zone, the universe of chaos and depravity. But we knew that already: just read my review of Millennium.

Thursday, December 2, 2021

The Playground (A Short Story)

The Playground at Cougar Tooth

 

By Raven Green


From the "Afterworlds" Collection

 

Sometime after the Sixth Great Migration

 

 

Jayda Barut liked that the truth about Uli Koches scar was hers, and only hers.

She watched longingly as Uli scrambled up the dusty steps of the Ruins of the Ancestors with his crystalline-bladed militia knife clutched in his teeth, and a broken magrail lacking in ammunition slung across his back by a frayed strap. The boy wore scavenged and ripped-up militia fatigues two sizes too big for him, and a pair of goggles that must have belonged to a gun-gyro pilot when they were new. The goggles were pushed up on his forehead, revealing characteristically bright Peltierite eyes. Under his left eye ran a scar from his last argument with a warden. In the two years since that argument ended badly, it had reduced to a pale pink but still visible line against his brown skin that curved when he smiled.

On the ground below the stepped, hypermetallic structure, Jayda, one year younger than Uli, aimed her unloaded, broken-triggered handgun and shouted Pow! Pow! Pow! slowly, deliberately, knowing that Uli had the weapon that would have fired faster if it was loaded. The two of them followed the rules of the game. No cheating.

Jayda lacked her playmates scar, but recently shed come to think of the boys old injury as edgy and mysterious. Scars were important. They told stories. The stories meant something. All she had were scraped knees. Uli never told the underwhelming truth about that scar, and he never told the same lie twice. Only Jayda knew where it really came from.

Uli assumed a mock firing position on the steps of the shortest of the ancient power ziggurats in the Ruins and shouted back in much more rapid sequence, simulating the imagined firing rate of his defunct magrail, Vorpvorpvorpvorpvorpvorp!

A wasp-like gun-gyro buzzed across the deep blue sky of a late summer evening. Its black rotor blades spun violently against the strong wind, and the craft arced upward above the Sionna tower and fired several rounds at a dish-shaped telecommunications array. A dark-gray road buggy pulled up on the side of the rubble-strewn street at the edge of their playground, its wheels kicking dust as it slowed to a stop with an electric whine that descended in pitch to silence.

The children went into hiding in the large watertubes beside the dry irrigation ditch. From their hidden spots, they peeped out and watched as two dark-jacketed figures left the drivers and front passengers seats of the covered road buggy. They were a man and woman, maybe twice as old as Uli. The ambient radioactivity in the city made her look much older, closer to forty. The woman carried a tactical repeating crossbow with a clumsy belt of hypermetallic bolts hanging from the launcher like the ventral ordinance rack of a missile cruiser. She wore a black luxahyde jacket collared with fake fur. The man wore a black duster jacket of lighter fabric and was armed with a toy soaker-gun filled with blue liquid that the kids knew was an irritant or corrosive fluid.

Uli crept, unseen, into the same piece of glow-tagged tubing as Jayda, that once supplied the reactors inside the ancient ziggurats with water from the now antique pipes that ran beneath Cougar Tooth Drive. Sometimes, they liked to explore those pipes, and even slept down there when it was too cold to sleep under the shadow of the gas giant, Peltier Prime.

They were street children, well-learned in the ways of eluding slavecatchers, wireheads, tranqpoppers, and buzzhounds. Though skittish, they were content with their daily lives, stealing bread, milk, vegetables and candied fruit from the stallfolk in the market and playing among the Ruins of the Ancestors by Cougar Tooth Drive with the discarded guns from clashes between the Disruptors and the Higher Orders captroopers.

The Captroopers of the Higher Order had descended from their mothercarriers in charred, blackened eggs last summer to quell the riots over Sigmark Glicks murder by the militia. The occupying force had outstayed their welcome now by almost a lunar year. Uli and Jayda had never seen anyone in the Order who was above the captroopers, but they figured whoever that was had to have even less of their humanity remaining than the feared soldiers whose service their masters rewarded with biotech upgrades. Their young imaginations crafted in their minds a sinister, bat-faced ghoulish subspecies behind the flight controls of the massive Mothercarrier-class ships that they knew from the streamcasts still circled their world beyond the sky. And maybe, something even more sinister in the rank above them. But this was only their imagination. They could not even see the great ships unless they crossed before Peltier Prime or its sun, and even though they appeared deceptively tiny against these heavenly bodies, their presence was felt every time the dropfighters and gyros flew overhead, and when the captroopers and the Disruptors clashed in the streets.

They gotta be Disruptors, said Uli, in a low whisper.

Uh-huh, said Jayda, nodding. Blackcoats. I seen those two before. At Umbral Core. If the captroopers spot em, there will be a clash, said Jayda.

Aye-yeah, girl, said Uli. I wish we had real bullets. Then Id blast any cappies. Seems like everybodys running outta bullets but captroopers, huh?

He struck a menacing pose with his empty magrail, like he could take on the entire world. His scar seemed bigger, and more mysterious when he presumed that he could. Jayda wanted to believe him.

Cappies gotta be too much for you to handle, Yoolz. Theyre all modded, like not even human anymore, not really. Cant go one-on-one with those kolkers, you gotta have an army backin that.

Yeah, but they were human once, said Uli. Still got blood and veins and all under that armor. So, they can still die.

They waited for the inevitable clash. It was better than playing at war. More exciting, this anticipation. Jayda hoped she and Uli would learn something by watching the clashes. The children hoped that one day they would take their place among these honored warriors. Jayda had the idea to pick up discarded guns they could trade to the Free Streets Army for shelter and training, but so far, all the guns theyd found were empty. Still, they scavenged when they could, hoping for their big break, that they could join Baltisor Lockes forces and be, at least, backed up by someones army. The way Jayda thought of it, all their games were merely training, preparation for a life she was sure she and Uli could wrestle from their futures. For now, they waited in hiding, until their opportunity came.

They watched the blackcoats check the readers on their wrists for excess radiation from the power ziggurats. Finding the radiation in tolerable range, the Disruptors flicked the activator pads on the sides of the black headsets they wore, flashing data from headquarters feed on the amber-colored lenses over their left eyes. The kids knew they were checking the estimated time of the oppositions arrival. Theyd seen this before when Disruptors showed up on the scene. Their hearts raced, anticipating the spectacle of the action, the vicarious thrill they got from this, that kept them going, even when they were hungry, and the stalls were closed.

The kids listened for any bits of information they could pick up from the clipped, brief exchanges between the man and the woman in black coats:

Signal tracks here, but Im not seeing…”

Graff! Spotted on Campus Line…”

- trap!

-ight even streamcast for a squad-gyr…”

Theyre coming…”

The man readied his soaker, and the woman gripped her crossbow firmly, and they girded their stance, ready for action.

Uli and Jayda found their weaponry amusing. They had heard Disruptors complain about the crude improvised weapons and antique relics they were forced to use, now that the blockade stopped most munitions from coming to their moon from offworld. They had been blockaded a year and all the weapons shipments from the Starfarers and the sympathetic nations were intercepted by extreme long-range attack craft launched from the auxiliary racks of the mothercarriers. Ammunition was so scarce the Disruptors had to rely on alternatives and improvisations like crossbows and acid-filled soaker guns. The captroopers, of course, had guns. Magnificent guns. They were long, thin, grey carbocrete boxes, with round holes on one end, and handgrips and a trigger-guard. They were magrails, handheld electromagnetic accelerators that threw solid metal slugs at high velocity. The kids had heard Disruptors called them hole-punchers.

The man was tall with ruddy hair, swarthy but not as dark as a typical Peltierite, though he shared the same bright blue eyes as the majority of the population. He must have had some offworlder blood. He was broad-shouldered and his black duster jacket billowed wavily and majestic in the wind. His pants were made of thick grey fabric and had black spongebark kneepads affixed.

The woman looked more typically like a Peltier 7 native, more like the children themselves; shorter, and slighter, with a silvery-yellow sheen to her hair and a rich brown skin tone. She wore grey-blue tattoos underneath her bright-blue eyes and on her high-boned cheeks, in the style of the Second Ancestral Era. Her black, fur-collared jacket flared at her waist and concealed extremely light, almost unnoticeable armor. She wore dark blue denim pants, a pair of mirrored sunshades, and a Thrustball cap.

She glanced at her partner and the children heard her declare, in a mock-whine, Were gonna die, arent we Geth? This was a trap. Theres no message rod here. They just wanted us naked.

Well takeem with us, said Geth. Well die well. Do you harbor doubts, Disruptor? he asked her, with exaggerated bravado.

Always, said the woman. But Im good for it.

It was a joke the children had heard before, between Disruptors, whenever they got close enough to a clash before it started. They joke was, the Disruptors had nothing left but their sense of humor. That was all the dignity these two could afford.

 

#

 

Lieutenant Azure 9437 gazed appreciatively at himself in the mirror of the squad-gyros rear cabin to make sure he had no vulnerable spots in his black, chitinous armor from the last clash. Then he turned to the other captroopers, adjusted the visor on his cranial protector, and said, This is it, boys and girls. We tackle these two kolkers and bringem in. No kill, cool?

Cool, sir! repeated the capsule troopers. Their voices were low, growling, animalistic. Their cybernetic eyes glowed like a storm owls, and their massive bionic muscles twitched in anticipation of their fix. After so many battles, each of them had earned their augmentations, and they no longer qualified as Homo sapiens. The system of upgrades maintained the discipline of their rank structure, like a more ancient forces medals of valor and deed.

 

#

 

From their hiding spot, Uli and Jayda watched the squad-gyro fly over the decaying buildings seeking the rebels streamcaster signals and thermal prints with its pinging E-Scan. They must have detected these at the ziggurats by Cougar Tooth Drive, where once the great reactors hummed and powered the Old City that the Second Ancestors built, that now lay beneath layers of urban decay. The Ruins used to be occupied by the Order of Genoclerics who studied the mysteries of the ancient Era of Second Ancestors, but they had abandoned them during the last big clash there. The E-Scan didnt notice the two kids hiding in the dried-out water tubes; it wasnt searching for them, and they had no reactive hardware to ping.

The squad-gyro hovered directly above the Disruptors and their road buggy and shot anesthetizer gas pellets that puffed grey particle clouds around Geth and Harwyn and drugged them asleep. Then it landed, and six captroopers, unaffected by the gas, disembarked from the rear hatch.

A battered white utility swooped around the corner onto Cougar Tooth Drive and whined to a stop. The utilitys cargo door opened and nine soldiers of the Disruptors, wearing breath masks to protect themselves from the gas, spilled out onto the street wielding modded nail guns, soaker rifles and an assortment of homemade firearms cobbled together from scavenged junk. The driver wheeled back into action and rammed one of the captroopers, forcing her sprawling to the ground. The downed super soldier bled crimson, like the human she once was.

Although they outnumbered the captroopers, the Disruptors makeshift weapons were no match for the hole punchers, and soon, the nine lay on the street, though the van, full of holes, still circled pesky-like, harassing the enemy. An archer with a repeater crossbow flung explosive gel-coated bolts out the front passenger window at the hovering gyro, which backed off and began firing with its belly-mounted autocannon at the errant cargo van. The van crashed into the reinforced wall of a ziggurat, and began to flame up to the trapped archers and drivers screams, and the five remaining captroopers dragged the unconscious forms of Harwyn and Geth into a freshly arrived grey-and-black camouflaged Militia road buggy.

 

#

 

Sometime later, Uli and Jayda regained consciousness from the bombardment of anesthetizer gas.

What happened, Jayda? asked Uli.

Gas attack, said Jayda. They draggedem off and killed like, a buncha Disruptors, like six soldiers, and a van with an archer. Not too big a clash. See the bodies?

She pointed. He screwed his eyes, and the little pink line of his scar arched slightly.

By the Messenger, said Uli, in awe.

Yeah, right, said Jayda. Uh amen. She was no believer.

They climbed out of the tubes and scavenged what weapons they could find, as many as they could carry. Their opportunity had arrived. If they could find even a single weapon that was operable and loaded, they could buy their way into the Free Streets Army.

 

Where is your headquarters? Which building? Where do you squat? Uli demanded of Jayda, in character. He was supposed to be the Commandant. She was playing the captured Disruptor soldier.

With your mother, said Jayda, who spat defiantly, getting into the role.

Uli slapped her in the face with a rough, metal-studded glove hed found left over from another clash.

Kolk you, bitch, he said, and he spat back, in her face. Jayda imagined she was facing the towering commandant instead of her crush.

She said, tell my son, hi,’” said Jayda, laughing despite the pain.

Where are you headquartered? Uli asked again, still in character. He readied his hand for another facial assault. The metal studs had left red scratches on Jaydas left cheek. She hoped it would scab into a storied scar of her own. Then, they would switch, and she would be the interrogator. Turn-taking was a deal they made when they first became playmates.

She spat back at him, and he slapped her again, this time on her mouth, like it was nothing to hit a bound girl. For maximum realism, she had allowed him to tie her wrists together with scratchy yellow rope. Jayda pretended to strain against her binds.

Ill tell you nothing. Youll have to kill me. And the next one they send. Kill her too. But know this- well keep coming at you. Theres no headquarters. Its a myth. Theres no Disruptor Corps. Theres only your kind, and the real people. she said, her bottom lip swollen and bleeding. It felt good to play Disruptor, this time.

What is the name of the Leader of the Disruptors? The one you call the Prime General? Where can we find them? Uli demanded.

I told you. With your mother, said Jayda, and she laughed at the blood that trickled down her cheek and stained the fur collar of her jacket. She loved the character shed invented of the brave woman theyd seen earlier today, visiting their place of power. It had been several hours since they had regained consciousness and went wandering, but they had returned, now, to their playground. The ziggurats always drew them back. There was no other part of town like it. They could feel there was power there once, deep inside the Ruins. They liked to think some remnant of that power still radiated here, and that it would make them strong, like Disruptors and captroopers were strong.

Uli pretended disgust as his captive. Another rough-gloved slap wasnt worth the effort, he decided, in character. This Disruptor Jayda was playing would never talk. But she could still be useful, for spectacle, to cow the populace into accepting its submission. Captroopers enjoyed spectacle. It helped to quell the rowdy masses, to satiate their lust for justice, to see it served as great, big, sweeping, performative acts.

You will die tomorrow for your crimes against the Higher Order. You have the Right of Last Statement. One of my sub-officers will deliver a chalk and scroll to your cell. Think wisely of your last words, scumkolker.

Die poor, and hungry, Commandant, said Jayda. Thats what Ill say. Die hungry, and kolk your order, and your mom.

Uli-as-the-commandant concluded he would gain nothing more from a Disruptor by talking. He pretended to turn away on mechanized heels. Jayda imagined a heavy metal cell door clanged behind him, leaving her alone, in the dark.

They switched and had one more go at the game of make-believe, with Uli as the bound Disruptor and Jayda as Commandant, and then, got bored with their imagined storyline, they counted the bullets theyd scavenged, and threw away any that didnt fit the sliding armatures of their new magrails. They decided this would be enough, at least, for now, to satisfy the entry requirements of Baltisor Lockes Free Streets Army.

 

#

 

Later that evening, Uli and Jayda shook hands with Locke, Life President of the Free Streets Alliance. He welcomed them into his army and assigned them to the Junior Wing with the other kiddos, to be trained and disciplined as his soldiers. They would share one of the unused rooms in the Life Presidents mansion on Melchior Drive.

Lockes Alliance was a protection racket. His rag-tag army suppressed any Disruptors on his turf, in exchange for a minimal presence of captroopers there. The captroopers left his turf mostly alone and life went on there almost like it had before the Occupation. It was the only part of town not subject to curfew, and with no checkpoints. The Disruptors they pretended to be in their play would have called Locke a collaborator, but Uli and Jayda didnt care- they didnt have any political bones in their young bodies.

Young people like Uli and Jayda had no way to pay for schooling, and they were expected to be economically productive if they wanted to survive. For kids, Baltisor Locke observed on the range during their Initiation Rites, they were excellent marksmen, and he had high hopes for them in the Free Streets Army. Locke had high hopes and high expectations for all the children under his protection.

 

#

 

Jayda absent-mindedly shoveled fried snacks from a paper sack into her mouth as she sat in the stands and watched the defiance of Harwyn Vasker on display. The Disruptor, with her scarred face and swollen lip, now wore an orange-and-gray striped POW jumpsuit as she faced the Commandant of the captroopers, Onyx 5112. Onyxs hands were heavy and clawed and sheathed by metal-studded gloves. He was an owl-faced monstrosity of a former homo sapiens specimen. He roared terrifyingly through the larynx of someone encoded genetically with DNA drawn from the genetically engineered fauna of the Twenty Worlds of the Higher Order. His nose was as sensitive as a Thothian razorbear, and he had the agility of a Hylothene springer. He was as loyal to the Higher Order as a Sycordian South Desert pack dog was to its master. His massive cybernetic brain was protected by a hypermetallic cranial unit. His legs were jointed with precision titanium mechanisms, interwoven with muscle and flesh and blood, and his arms were covered with extendable combat spikes grown from the same black chitin that encased his torso, chest, and nether regions in insectile armor. His unblinking eyes glowed red with optical scanner lenses embedded over his corneas. He had earned his many upgrades at Castelox, Mercer Prime, and Omega 38x. He towered over the other captroopers, his import obvious to all who looked in his direction.

His Vice Commandant, Amber 9844, was likewise a highly augmented veteran of the War of the Twenty Worlds that led to the formation of the Higher Order of the Stellar Community. She had glowing yellow scanners for eyes, the same black combat spikes and armor, and her fingers were tipped with venomous claws. She carried a magrail with a plasma flare launch mounted on its side. Amber 9844 supervised two subordinates as they brought Gethen Lankleer from the transport gyro on the floor of the megastadium pit toward the stake next to Vaskers, to be tied up and displayed with his comrades. Thousands watched in the rising benches, the children among them, hungry for entertainment. Before the Fall, the stadium-pit was used for concerts, sporting events, holographic movies and light shows with lasers and dancing opticals. Now, a squadron of gun-gyros rested in the middle of the arena floor, surrounded by a ring of armed guards- a squad of unaugmented local militia deputies who carried the same magrails as the captroopers.

There was a podium with a voxcaster in the center of the pit, and Onyx and Amber stood on the podium while he spoke, and she brandished her magrail with only one, abnormally strong hand.

A squadron of dropfighters flew above, low over the city, followed by a another squadron of gun-gyros.

The Right of Last Words commences, said Onyx. I present to you, the people, two of the Disruptors who damn this city with their violence and force our continued presence. Look upon your true enemy! Their names are Gethen Lankleer, and Harwyn Vasker. They have conspired against the Peace we all seek. But they still deserve the Right! They would not grant it you or me. But our Order is lawful, and merciful. We will begin with the woman. Speak your last words, Harwyn Vasker. Speak what we will remember of you after justice has been served today.

The crowd roared, more out of hunger and a need for stimulation than any political preference.

Quiet! Onyx demanded. He raised his hand as a signal for Vice Commandant Amber to fire a plasma flare. The flare shot upward at reducing speed and exploded in mid-air in a flash of hot neon green above the megastadium.

The crowd hushed. They were wearing simple rags and wide-brimmed hats coated thickly with counter-rad paste to stave off the radiation from the last time one of the mothercarriers dropped a tactical fusion warhead on their city. They looked destitute and angry, and hungry for a quick fix to their problems, or at least, its appearance. Commandant Onyx understood, as a tactician and strategist, how to win the loyalty of the wretched.

Harwyn read from the notes she had scrawled in chalk on her scroll that afternoon in her darkened cell.

I stand before you today, a condemned woman, because I oppose the Higher Orders presence on this moon. That presence has only escalated our situation. We cannot expect to recover from the Glick Protests under a military occupation. Captroopers killed my husbands, dragged them kicking and screaming from our bedroom for publishing suspect material that was critical of the Higher Order. All of us have lost someone to this repression. All of us have suffered. Look within your pain and ask yourselves who the enemy is!

You now, Lankleer, said the Commandant. Offer your words, so that we may remember your death and what it means to these people.

Freedom cannot be contained! said Gethen, in a clipped, determined tone. He, too, had been given a chalk and scroll in accordance with the Right of Last Statement. He raised his bound fists and shook them dramatically, then said, in a louder and more declarative voice, None of us are free until all of us are free! If it takes tomorrow or a hundred centuries, we will drive you from this moon, or die trying, and that is the only justice we seek.

A large dirigible, held aloft by synthetic helium tanks and propellers, with a rack of gun-gyros hanging from its bottom hull, swept the area outside the megastadium with search beams.

A captrooper wearing a black leather executioners hood like something from the Time of the PreAncients approached the two Disruptors with an antique, iron polearm and swung at them theatrically, like the bladed staff was a juggling stick. Fear welled in the Disruptors eyes as the executioner approached.

Jayda intensified her chewing, sucking the salt and grease of the fry-nuggets in determination to make the treats taste in her mouth outlast their digestion. It was rare she ate like this, but with her and Ulis new income, she could get used to it.

The stadium crowd roared at the spectacle of state murder. They howled and laughed and jeered, anticipating the blood. In their seats, watching this unfold, Uli and Jayda were spellbound by the performance.

And then, a militia deputy, lined up with the others, shot the executioner, and began to fire at his unprepared comrades and the captroopers. In the surprised chaos, he ran and made it to a gun-gyro and boarded the craft, taking over the flight controls and lifting into the air with the whipping sounds of rotor blades.

The excitement did not abate. A truck with an anti-aircraft gun, parked near the rest of the landed squadron, fired several rounds at the gyro, but it was too late, the unharmed craft ascended vertically and flew off into the skyline of the city.

Gethen and Harwyn surprised a pair of guards and stole a knife, then used it to cut their wristbonds. They stole another of the gyros and evaded the gun-truck. They flew after the first craft, and Onyx grunted into the voice amplifier, Chase those gyros down! Dont let them get away!

The crowd roared again, this time, enthused by what appeared to be no mere spectacle.

 

#

 

Jayda popped fry-nuggets into her mouth and held Ulis hand, their fingers tentatively intertwined. This, they agreed, was the start of a new phase of their relationship. The two of them had known each other since they were mere snotnosed streetpups, and they had attended public executions before. It was great fun. But they had never considered them dates. They were young and were not expected to live past their forties. No one was anymore. So, they figured they were old enough to date. Someone had to make the next generation, and Jaydas generative drive was strong. She wanted her and Uli to have eight kids. No ten. At least. She even had names picked out. But first, they needed to soldier. They needed to earn their way, like the captroopers earned their augments. Now, they had a path, as warriors, and they would no longer play games of make-believe in the Ruins of the Ancestors by Cougar Tooth Drive.

Neither of them remembered their parents. They had been wards-of-the-state. But there was no more state, only the Order, and so no state childrens wardens, anymore, either. The Higher Order didnt believe it was the governments role to care for kids no one cared about. The wardens still tried to look after them, but they had no authority or resources anymore, and the kids just hid and eluded them, especially Uli, whose last dealings with a warden had left him scarred.

Uli glanced over at her during the chaos and said, Hey, you think this was staged for show?

Who knows? But it sure is nice to watch and think justice gets served, or whatever. Like a game show, said Jayda.

Whats a game show? asked Uli. He knew what a game was, and a show, but had never heard the terms combined before.

I saw an old 3-D once. Games on holostream. People from the audience had contests for prizes, Jayda said.

Oh, said Uli. Gimme some fry-nuggets, how bout?

No, theezth are miiine, Jayda teased, trying to sound like a bratty younger child by lisping and drawing out her vowels.

Oh, cut it out, said Uli, and he grabbed the foil package from her and poured the greasy, crumbling treats into his mouth. Crumbs spilled down his cheeks.

Ugh, youre gross, said Jayda. Keepem. How bout you buy me a sugartea and lignuts?

Uli signaled the vendor with his hand and paid for the packet of lignuts and the tea with his earnings from Baltisor Locke. Jayda drank the tea and chewed the salted lignuts.

You think that guy was a Disruptor? asked Uli. The captrooper who shot the others?

He hadda be a plant, said Jayda. Aye-yeah. Maybe thats who we should be working for.

Uli looked at her and thought, that this was why he liked her. Jayda was smart. Smarter than he was, though hed never admit it to her. Shed never let him forget it. He liked that about her. She wasnt easy. She challenged him, and made sure he knew, by the softness of her skin and the brush of her lips, that the reward would be worth it.

The captroopers were reforming, trying to project some semblance of order, but the audience had seen what they had seen, and the propaganda streamcasts the next day would be that much less convincing for it. The city seemed that night like it stretched out naked from the megastadium pit, like a beached animal, choking and dying, a layer of poisoned skin over a city built and rebuilt over itself so many times, and for so long, that no one could even remember what the original builders- the Second Ancestors, who built the power ziggurats- called themselves. Their language, and much of their technology was lost to the depths of prehistory, and their civilization was only beginning to reach once more the heights the Ancestors had graced.

But Uli was happy. And Jayda was happy. This was their world, theirs to inherit. And with all that action on display, it wasnt a bad first date.